Norford, who will take the role of Dandini, has appeared in several productions for Crossroads Pantomimes and played ...

Shani Moran-Simmonds, who joined Birmingham Royal Ballet ’s Dance Track in 2012 at the age of six, has become the first ...

Buxton Festival Fringe chair Ian Bowns praised performers for delivering a “wonderful Fringe”, pronouncing 2025 as a “really good year” as he hosted the awards ceremony.

Coventry’s Belgrade and Rifco Theatre Company are joining forces in a partnership to put British South Asian stories and ...

Flat 4 examines the corrosive impact of trying to adhere to the perceived ideal body image from a refreshingly new ...

Choreography Marius Petipa after Jean Coralli and Jules Perrot, music Adolph Adam, production Miyako Yoshida, staging & ...

Jane Patterson as Laura has a lovely voice but delivers the songs with insufficient gumption, so best friend Emma Daly's Maggie, who has something of a comic subplot, leads with personality whilst Mo ...

Rajesh Gopie's Out of Bounds has a timeless and thought-provoking story that explores cultural traditions, generational bonds ...

Eleni Varon’s The Mourning After has no pretentions other than to get the audience to laugh a great deal; an objective which ...

The Daughter of Time is a play in which little happens, though it is busy contriving ways to feed in information found in ...

My Name is Rachel Corrie is constructed from Rachel’s diary and e-mails, taking us from her early years in Olympia, ...

There is great potential in The Digital Prometheus, but a decision needs to be made on the dominant theme, so the lesser ones can be trimmed, or an interval could be added to allow an expansion of the ...