The Cannes Film Festival kicked off its 78th edition with the Opening Ceremony and the world premiere of Amélie Bonnin’s ...

Which isn’t to say that Amélie Bonnin’s locally flavored jukebox musical “Leave One Day” is anything close to a wash — nor ...

Amélie Bonnin’s feature film that opened the Cannes Film Festival on Tuesday evening, is an unusual film for an opener.

Opening Cannes, like closing it, has traditionally been a poisoned chalice. The festival has tried a few moves to address the ...

With America not only spinning out of control but threatening to take the rest of the world with it, the Cannes Film Festival ...

EXCLUSIVE: French mini-major Pathé is at the Cannes Film Festival this year with opening film Leave One Day, and well as ...

From Michel Gondry to Juliette Armanet, "Leave One Day" director Amelie Bonnin shares the influences that inspired her Cannes ...

First-time director Amélie Bonnin attempts to keep the tradition alive in Leave One Day (Partir Un Jour), a gritty small-town dramedy in which, every so often, people start singing and gyrating.

Curiously, “Leave One Day” also bucks that trend, heralding a director with only a few shorts to her name and a cast bereft of recognizable faces. Turn on French radio, however, and you’ll ...

In short, “Leave One Day” isn’t the movie you show after an opening ceremony where Quentin Tarantino has just bellowed that the festival has begun before literally dropping a mic, or where Robert De ...

“Leave One Day,” Amélie Bonnin’s feature film that opened the Cannes Film Festival on Tuesday evening, is an unusual film for a Cannes opener in several ways. It’s a musical, only the ...

Opening Cannes, like closing it, has traditionally been a poisoned chalice. The festival has tried a few moves to address the latter, mostly predicated on the fact that, by the end of nearly two ...