Late one night after his wife and kids were asleep, Scott Aiges started strumming Tom Petty’s “Refugee” on guitar, but with a reggae lilt. A light bulb went off: Wouldn’t it be great for a band to ...
It’s Sept. 25, 1985 at the Palace Theatre in downtown New Haven, Conn., and the buoyant staccato guitar rhythm, breezy sax and distinctly ’80s synth-pop has the crowd footloose. UB40, which has since ...
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