‘Resurrection’ Review: A Hallucinatory Voyage Into Cinema

The Chinese director Bi Gan, who has become a lauded fixture on the festival circuit, conjures a boundary-pushing tale that ...
The Hollywood Reporter

‘Resurrection’ Review: Director Bi Gan’s Beguiling, Beautifully Realized Journey Through the Life, Death and Possible Rebirth of Cinema

The director of ‘Long Day’s Journey into Night’ returns to Cannes with a century-spanning movie-tale made in the cinematic style of five different epochs. By Jordan Mintzer One of the most audacious ...

Bi Gan on Pushing Cinema’s Horizons for ‘Resurrection’ — and the Year’s Most Extraordinary One-Take Scene

Bi Gan talks his Cannes winner 'Resurrection' and building the film's extraordinary one-take sequence involving a raincoat ...
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'Resurrection' Review: This Award-Winning, Mind-Bending, and Weird Sci-Fi Movie Will Have You Questioning Everything | Cannes 2025

From its opening moments, Chinese director Bi Gan’s latest film Resurrection feels like something made outside of time. Employing a silent film aesthetic, with skipped frames, slightly askew framing, ...
AOL

‘Resurrection’ Brings Bi Gan Back to Cannes With a ‘Movie Monster’ That Showcases a Century of Cinema: ‘A Celebration of the Lives of People’ (EXCLUSIVE)

Chinese auteur Bi Gan is back at Cannes with competition title “Resurrection,” a six-part fever dream where a movie monster drifts through China’s 100-year history. “I structured this monster’s soul ...